Opinion
Opinion based articles.
The 50 Most Complex Female Characters in Movies
Existential Cinema: How Do You Write an Existential Film?
What is a Mary Sue Character And How Do You Avoid Writing One?
What’s SO Good About The Citizen Kane Ending?
Do You Still Need to Move to LA as a Screenwriter?
20 Terrific Ricky Gervais Quotes to INSPIRE Writers and Filmmakers
What is Method Writing? Meaningless Buzzword or Useful Tool?
Tyler Durden – ORIGINAL CHARACTERS Series Part: 9
Honestly, Should You Do a Screenwriting Degree? 10 PROS and 10 CONS
OPINION: Why Screenwriters Should Use A Point of No Return
What is a Point of No Return? The “point of no return” is essentially when the plot leaves the character with no choice but to go forwards. Perhaps the easiest …
Stop Obsessing About One Script Reader’s Notes
At Industrial Scripts, we hear it all the time. You can almost hear the echoing footsteps of the query, before it arrives: “Can I have the same script reader as …
Why Screenwriters Should Understand Screenplay Atmosphere
Understanding Screenplay Atmosphere Screenplay atmosphere is difficult. At the bottom of the poster for THEY CAME TOGETHER, a spoof of rom-coms, there’s a disclaimer: Please note: New York City plays such …
OPINION: Why Your Second Act Must Have Escalating Stakes
The second act is all about escalating stakes. Absolute urgency. There’s a gap in the classic three act structure as extolled by many screenwriting books and teachers. The problem is …
OPINION: Finding The Perfect Closure
Finding the perfect ending is difficult, even for professional writers and big-budget films. The resolution after the climax provides closure for the audience and characters. Sometimes termed the “denouement,” this scene is …
OPINION: Lessons from Shakespeare For Screenwriters
An odd trend in cinema surfaced in the 1990s and continued into the 2000s. A spate of teen films relocated the plots of William Shakespeare plays to high schools. O …
OPINION: The Key to a Great Genre Hybrid
A genre hybrid, a cross between two or more genres, can be a boon. It’s giving the audience something familiar, tapping into genre conventions, but also fresh. However, it can …
OPINION: Lessons For Screenwriters From Films About Writers
Films about writers, more than films about any other profession, can lay claim to accuracy. After all, who better to understand how writers think and feel than writers themselves? The …
OPINION: Great Dialogue is All in the Subtext
Writing great dialogue is difficult, but one way to get a step closer is through the use of subtext. Subtext, literally what is below the text, is the deeper implication behind …
Why Screenwriters Should Tell Stories about Everyday Heroes
With the dominance of superhero and tentpole films, sometimes it seems like there’s no place in cinema for everyday heroes. Most audiences don’t want their reality simply reflected back to them. However, …
Why You Should Never “Spray & Pray” In Screenplay Contests
The Ugly Rise of the “Silent Pass” in Script Development
It’s the experience almost any new writer faces at some point; the elation of getting that “yes, we’ll read it” email (the door’s ajar!), sending a fresh, hopeful script to …
OPINION: The Perks & Pitfalls of Low Stakes Screenplays
Is it possible to have a film that tells a story without conflict? Conventional wisdom would say no. However, this doesn’t mean that every film needs a world-ending threat. Not every film …
OPINION: Writing a character sacrifice that works
A character sacrifice is a difficult moment to get right. Audiences today are incredibly cine-literate. They’ve seen it all before, and can tell when a film or TV show has used …
The Bigger Picture of Script Coverage Fees
Writers at the start of their career have a lot to contend with. For one, they get called ’emerging’, something better done from swamps or during childbirth than at the …
Is the Subtle, Theme-rich Screenplay Dead?
Is the Subtle, Theme-rich Screenplay Dead? Theme-rich Screenplay Treated Unfairly? The plot-light, theme-rich screenplay is often – at the script development stage at least – unfairly maligned with the phrase …
OPINION: When Screenwriters Should Unsettle Audiences
There’s an old Hollywood saying to writers that if you want to send a message, use Western Union. The idea is that audiences want films to entertain them, not to …
OPINION: Screenwriters Should Consider the Cinema Experience
It’s a cliché, but the entertainment industry is an industry. Show business is a business. It behoves screenwriters to remember this and to consider why write films in the first place. What …
OPINION: Crafting Convincing Teenage Characters
A major problem with crafting convincing children and teenage characters is that as we grow up it’s too easy to forget what it’s like to be young. Whether a project …
OPINION: Flashbacks and the (Rare) Stories that Need Them
One of the major exceptions to the oft-repeated “show, don’t tell” screenwriting rule is the equally common received wisdom that screenplays should avoid using flashbacks. The criticisms are familiar from scores …
Nostalgia: Finding the Future of Film & TV, in the Past…
Audience Nostalgia From looking down 2016’s box office results, it’s clear that a certain trend shows no sign of stopping. Sequels, remakes and reboots abound, tapping into audience nostalgia to massive success. …
Why Screenwriters Should Consider a Second Act Subplot
While first and third acts pose their own challenges, it’s in the weeds of the second act that many scripts (and movies for that matter) go astray. Introducing a second …
OPINION: Screenplay Anachronisms Can Bring the Past to Life
Films that are set in the past are often judged for their authenticity. The “goofs” section of IMDb is overrun with anachronisms: this porcelain wasn’t made until six years later; or …
OPINION: Hacking Films Don’t Have to be Boring
Computers are not the most interesting subjects. Anyone who’s had to watch someone else type very slowly into a search bar can attest to this. In a visual medium like film …
OPINION: Support Your Supporting Characters
While it’s true that the star system is not what it once was, actors can still have tremendous power. Many actors have their own production companies, partly as a route for finding interesting …
OPINION: This Is (Not) A True Story
This is a true story. The events depicted in this film took place in Minnesota in 1987. At the request of the survivors, the names have been changed. Out of …
OPINION: The Art of Misdirection
** SPOILER ALERT: this article reveals key plot points from THE WITCH and THE PRESTIGE ** Holed up alone and away from the world, it can be too easy for …
OPINION: Scope, Scale and Stakes
OPINION: Scope, Scale and Stakes ** SPOILER ALERT: this article reveals key plot points from 10 CLOVERFIELD LANE ** Scoped Out 10 CLOVERFIELD LANE is an object lesson in the …
OPINION: The Riddle of Tone
Understanding The Riddle of Tone The release of BATMAN V SUPERMAN: DAWN OF JUSTICE is an appropriate moment to talk about tone, one of the least understood tools in the …
How to Write a Film or TV Treatment
Putting A Film or TV Treatment on the Couch Treatments are misunderstood and undervalued. It’s time to investigate why they’re an invaluable tool in the screenwriter’s toolbox. Imagination can be …
OPINION: Choosing Your Protagonist
The critical acclaim, awards nominations and profoundly-felt audience reaction to ROOM highlight one of the most powerful tools in the screenwriter’s armoury – your choice of protagonist. Whether you’re writing …
OPINION: The Power Of Linear Storytelling
Linear Storytelling Power How important is the straight-and-narrow in screenwriting? Can so-called conformity actually get you noticed? As screenwriters, we are left to own imaginations to find ides that strike …
Screenwriters and The Flash of Genius
Screenwriters and The Flash of Genius The other day I awoke having had the most glorious film idea I felt I had ever had. IN MY SLEEP. I dreamt it. …
OPINION: SPECTRE & The Problem With Patchwork Narratives
Despite SPECTRE’s impressive show at the box office that has recently confirmed its place as the second highest-grossing James Bond movie of all time (after SKYFALL), Sam Mendes’ second outing …
Something For Nothing – Writing Spec Scripts
Something For Nothing – Writing Spec Scripts There’s a terrific viral that periodically does the rounds where a restaurateur advertises on Craigslist for a solo musician to play in his …
OPINION: When Is It The Right Time For Voice-Over?
Using Voice-Over At the beginning of a screenwriter’s career, it is likely they will be hit by a deluge of information pertaining to offer the rules of how to write a script. Not …
In Script Development Nobody Knows Anything
Nobody Knows Anything When I worked in screenplay development, I spent an awful lot of time befuddled because William Goldman had really nailed it when he said: “nobody knows anything”. Nobody …
OPINION: Beginning With A Bang
Importance of Beginning With A Bang One of the most over-stated maxims when it comes to screenplays and screenwriting lies in the importance of the first ten pages. Not only …
The Agony of Screenwriting Success
Screenwriting Success Hurts Some years ago I wrote a film that eventually I called ALBATROSS and subsequently it has been my own private albatross. I was incredibly fortunate. A series of …